“Orden público: Vagos, Maleantes y Peligrosidad Social” es un proyecto de Daniel Gasol que realiza contrabando de expedientes de la Ley de Vagos y Maleantes (1933-1970) y Peligrosidad Social (1970-1995) para pensar cómo la legislación convierte a las clases desfavorecidas en delincuentes que deben redimirse a través del trabajo para el Estado.
In the framework of the exhibition Orden público: Vagos, Maleantes y Peligrosidad Social, Daniel Gasol invites us to participate in a workshop in the context of the La Model prison in Barcelona, one of the places where detainees under the Ley Vagos y Maleantes (1933-1970) and the Ley de Peligrosidad Social (1970-1995) were held and imprisoned in order to serve their corresponding sentences.
In the context of the ex La Modelo prison in Barcelona, we will be holding a round table with Daniel Gasol, with Antoni Ruiz and Silvia Reyes, two people sentenced under the Ley Vagos y Maleantes y Peligrosidad Social, who will share their experiences and legislative processes.
In the framework of the exhibition Orden público: Vagos, Maleantes y Peligrosidad Social, the artist Daniel Gasol will guide us through his extensive research on the files of the Ley de Vagos y Maleantes (1933-1970) and Peligrosidad Social (1970-1995), analysing how the legislation often turns the underprivileged classes into criminals, who must also redeem themselves by working for the State.
As the final party of Daniel Gasol's project, on Thursday 3 February we met up at the legendary bar El Cangrejo.
El sábado 12 de febrero presentamos el debut literario del poeta Alfred Besora, también diseñador de moda y sastre. Una colección de poemas íntimos y valientes en los que se […]
On 15 February, a poet, a journalist, a calligrapher, an actress, a writer and a typographer dined at the gallery around a table that is Mercè Soler's album of experiences. […]
As part of her exhibition, the artist Mercè Soler invites us to explore her intimate album of experiences.
A week ago Mercè Soler invited six people who work with words to dine around a table that is their own album of experiences, activating the exhibition Un álbum. Now the artist invites us to discover and browse through the material recorded during the evening, which will soon be used to generate a new artwork.
As part of her exhibition, the artist Mercè Soler invites us to explore her intimate album of experiences.
On Saturday 2 April at 12 noon we will meet to celebrate the finissage of Mercè Soler's project.
The Flat Catalogue will temporarily establish an accumulation space at the Chiquita Room gallery in April 2022.
Those of us who are dedicated to books, among other things, always have on our list of unanswered questions: Will it rain on Sant Jordi? Even if it dawns clear […]
This exhibition is a beautiful testimony of intimacy. At the crossroads between biographical collection and work with shapes, colors and light, Alba Yruela brings together more than 500 photographs taken […]
On Saturday 7 May at 11am we will host a very special breakfast to close the exhibition of Alba Yruela, Diaris 2009-2019. We say goodbye to this exhibition fent dissabte […]
Maisons de week-ends imaginaires by Laía Argüelles is the result of an interest in private spaces and a desire for home as a sometimes inaccessible notion. The work is a […]
Two points of reference, a meeting point is a projection and conversation between Laía Argüelles and Sara Agudo about the work 210. This work, which Laía Argüelles made from/at/for/about the […]
Blank books have a history of more than a century, and are a very frequent genre in the field of artist's books, experimental publications and mass editions. Their effect is […]
Search Engine is a series of index cards installed at the Arús Library, featuring photographs sourced from the Science & Miscellaneous section of the London Library - one of the […]
On the occasion of the exhibition Maisons de week-ends imaginaires, Chiquita Ediciones is pleased to present the new publication by Laía Argüelles, Ciprés, the first book by the artist in […]
ArtsLibris, the publishing fair specialising in artist's publications, photobooks, self-publishing and digital publications, is coming back to Barcelona from 10 to 12 June, and once again we are participating with […]
On the occasion of the presentation of Chiquita Ediciones' new releases, the artist's books Ciprés by Laía Argüelles and Search Engine by Louis Porter, Chiquita Room proposes this conversation between […]
Within a space of imperceptible limits, we follow a character on her expedition to an unknown destination as she embarks on a series of curious encounters that will connect her to her surroundings. With each challenge, the character (the artist and director) interacts with objects and captivating artifacts that, linked together through action, create a set of sequences that trap us in a strange and hypnotic game.
Sobremesa is a project by Liliana Díaz in collaboration with Xavier Barriga that explores the way we feed ourselves and the content we choose to do so. The exhibition, oriented towards the exploration of the relationship between public and artwork through sculpture and bread, is an attempt to evidence the way in which we share and to question the permanence of sculpture and its function.