“Orden público: Vagos, Maleantes y Peligrosidad Social” es un proyecto de Daniel Gasol que realiza contrabando de expedientes de la Ley de Vagos y Maleantes (1933-1970) y Peligrosidad Social (1970-1995) para pensar cómo la legislación convierte a las clases desfavorecidas en delincuentes que deben redimirse a través del trabajo para el Estado.
In the framework of the exhibition Orden público: Vagos, Maleantes y Peligrosidad Social, the artist Daniel Gasol will guide us through his extensive research on the files of the Ley de Vagos y Maleantes (1933-1970) and Peligrosidad Social (1970-1995), analysing how the legislation often turns the underprivileged classes into criminals, who must also redeem themselves by working for the State.
As the final party of Daniel Gasol's project, on Thursday 3 February we met up at the legendary bar El Cangrejo.
El sábado 12 de febrero presentamos el debut literario del poeta Alfred Besora, también diseñador de moda y sastre. Una colección de poemas íntimos y valientes en los que se suceden imágenes a todo trapo. "Nunca te veo con la misma cara", "Poemas de emergencia", "Poemas húmedos", "Poemas que curan", "Poemas del viento", "Poemas de […]
On 15 February, a poet, a journalist, a calligrapher, an actress, a writer and a typographer dined at the gallery around a table that is Mercè Soler's album of experiences. An album that has no images, but a series of words inscribed in her memory. And in the table linen, crockery, cutlery and glasses. She […]
As part of her exhibition, the artist Mercè Soler invites us to explore her intimate album of experiences.