Todavía siempre brings together a selection of works from the last ten years in which Laía Argüelles Folch (Zaragoza, 1986) has developed her methodology of thought and composition, based on research and work with materials found in flea markets, collector's shops, and second-hand bookstores from various countries. Interested in the potential of images and language […]

In Models of Seeing, the collective Estampa interrogates the tools of computer vision and their way of looking at the world. What do they see and how do they speak? Which are their limits? How can they be used against the wind? Three pieces exploring the still image, a video-essay and a publication construct a […]